Publications

Books, readers and Catalogues Co/Editor
How To (Talk About) Things That Don’t Exist. A book developed out of the 31st São Paulo Biennial. Serralves Museum, Porto, Portugal. Co- editor.
How To (…) Things That Don’t Exist. 31st Beinal de Sao Paulo: Foundation Bienal de Sao Paulo, Sao Paulo, Brazil. Co- editor.
C.H.O.S.E.N. Reader, The Israeli Center for Digital art. Holon, Israel. Co- editor.
Symptoms Of Unresolved Conflict. Cultural Center of Belgrade, Belgrade, Serbia. Co- editor.
It doesn’t always have to be beautiful, unless it’s beautiful. Muslim Mulliqi Prize International Exhibition 9th Edition. National Gallery of Kosovo. Co-editor.
A Cookbook For Political Imagination, Zacheta National Gallery of Art. Warsaw, Poland. Sternberg Press. Co-editor.
Never Looked Better. Contemporary Artists Respond to the Leni & Herbert Sonnenfeld Photo Collection. Co editor. The Nahum Goldmann Museum of the Jewish Diaspora Beth Hatefutsoth, Tel Aviv  
The Real War – Sean Snyder’s exhibition reader. The Israeli Center for Digital art. Holon, Israel.
‘Evil To The Core’ – exhibition reader, co-writer Ran Kasmy Ilan. The Israeli Center for Digital art. Holon, Israel.
People, Land, State – exhibition catalog, The Israeli Cnter for Digital art. Holon, Israel.
LIMINAL SPACES, The Israeli Center for Digital Art, Holon. Israel. Co-editor.
Contributions To Books And Catalogues (selective)
‘The Transparent Museum through the Looking Glass’. Exhibitionary Acts of Political Imagination. VECTOR, George Enescu National University of the Arts, Iasi, (Romania) in partnership with PARSE Journal, University of Gothenburg, (Sweden).
‘The right not to forget’, on Artur Żmijewski’s film “Berek”. “Holocaust Studies and Materials”, No. 17 (2021), pages: 601-605. Polish Center for Holocaust Research. Poland
‘The Lightnings Slayers’, Marjolijn Dijkman catalog text for the solo exhibition Electrify Everything at NOME Gallery, Berlin. 
‘If You Want To Run Fast, Run Alone. If You Want To Run Far, Run Together.‘ Extreme, Issue 50. Publisher ONCURATING.org. Zurich, Switzerland
‘Decoding the Colonizer’s Mind’. Marjolijn Dijkman catalog text for the solo exhibition at Club Solo, Breda, NL i.c.w. S.M.A.K. Ghent, BE
‘Who Has the Freedom to Forget?’ Jelena Jureša in conversation with Galit Eilat and Erden Kosova ersopolis Review is a pan-European cultural and humanities magazine.
‘Catastrophe’ – Glossary Of Common Knowledge, +MSUM Museum of Contemporary Art, Metelkova, Ljubljana, Slovenia.
‘On The Other Hand’, Antonis Pitas: Road To Victory, Mousse Publishing & Hordaland Art Centre, Bergen.
‘Representing something that you disagree with’ – I Can’t Work Like This, A Reader on Recent Boycotts and Contemporary Art. Joanna Warsza (Ed.) Sternberg Press.
‘Collectivity, Conflict, Imagination, Transformation’, The Curatorial Conundrum. What to Study? What to Research? What to Practice? MIT Press, Co-published with the Center for Curatorial Studies Bard College / Luma Foundation.
‘On The Other Hand’, Antonis Pittas. (Ed) Clare Butcher. Stedelijk Museum, Bureau Amsterdam.
‘Grupo Etcetera’, Entry Points, The Vera List Center Field Guide on Art and Social Justice, No. 1. (Ed) Carin Kuoni and Chelsea Haines. New York: Vera List Center for Art and Politics, in association with Duke University Press.
‘Sandi Hilal and Alessandro Petti, Campus in Camp’, Entry Points, The Vera List Center Field Guide on Art and Social Justice, No. 1. (Ed) Carin Kuoni and Chelsea Haines. New York: Vera List Center for Art and Politics, in association with Duke University Press.
The Errorist Theatre – What is political theatre today? Not Just a Mirror. Looking for the Political Theatre of Today. Berlin: Alexander Verlag.
‘Where do you draw the line?’ – Against the Day, South Atlantic Quarterly, Duke university press.
‘Frozen Events, Competing Memories and Moving Forward’. In conversation with Ihab Saloul. ‘Two Minutes of Standstill’, A Collective Performance by Yael Bartana, Florian Malzacher, Stefanie Wenner (Ed), Sternberg-press.
A Curator’s Ethical Code in Conflict Zones – Scandalous, A Reader on Art and Ethics. (Ed) Nina Montmann. Sternberg-press.
‘A conversation between artist Yael Bartana and the notorious Austrian philosopher Otto Weininger’, reader essay – 9 Artists. Walker Art Center, Minneapolis, Minnesota, USA
‘Not Abnormal but Another From of Life Hanging’, conversation with Aya Ben Ron. Hatje Cantz Verlag, Germany.
‘A Good Drug Dealer’, Galit Eilat in conversation with Artur Żmijewski, Forget Fear, 7th Berlin Biennale for Contemporary Art. Berlin. Germany.
‘The Four Chambered Heart’, Filipa César, Montrage, catalogue essay, Berlin. Germany.
Nira Pereg – Catalogue essay, Tel Aviv Museum. Israel
‘You Are a Cannon‘, Michael Blum – Catalogue essay, Frac des Pays de la Loire. Paris, France.
Active Camera, Access to Israel II – Jewish Museum Frankfurt, Frankfurt, Germany.
‘Non-Zionist Propaganda’, Yael Bartana – catalogue essay, CCA, Tel Aviv. Israel.
‘Work in Translation’, exhibition catalog, The Israeli Center for Digital art. Holon, Israel.
‘Forbidden Games’ – Co-writer, Space Time Play, Birkhäuser, Germany. 
Avi Mograbi, Catalogue essay, Van Abbemuseum, Eindhoven, The Netherlands.
Margalit – Aya Ben Ron Catalogue essay, Israel
Hila Lulu Lin – Catalogue essay, Museum Ein Harod. Ein Harod, Israel.
Yael Bartana, Catalogue essay, Van Abbemuseum, Eindhoven, The Netherlands.
Alternative Narratives – ‘Interview with Jack Parsekian’ in City of Collision, Birkhauser – Publisher for Architecture. Basel, Boston, Berlin.
‘Symptoms of the Present’ in Art, City and Politics in an Expanding World, The 9th Istanbul Biennial.
‘Pixel Present’ catalogue essay in Transpositions, Petach-Tikva Museum of Art, Israel.
‘Wherever I Am’,  Yael Bartana catalogue essay, Modern Art, Oxford.
‘Kings of the Hill’, Yael Bartana catalogue essay, Herzliya Museum of Art, Israel.
‘The Promise, The Land’, Dana Levy catalogue essay, O.K Center for Contemporary Art, Upper Austria.
‘Story Agent’ catalogue essay for Video Zone.